Elizabeth Kindall portrait

Elizabeth Kindall

Associate Professor
Degree
B.A., Missouri State University
M.A., Ph.D., University of Kansas
Office
44 N. Cleveland Ave.
Phone
(651) 962-5563
Toll Free
(800) 328-6819, Ext. 2-5563
Fax
(651) 962-5861
Mail
44C

Specialization: Chinese Art

Elizabeth Kindall's research focus is Chinese art, specifically Chinese painting from the fourteenth to the eighteenth centuries. Her current research focuses on farewell culture and landscape identity; and representations of the Yandang mountain range in Chinese painting.

Publications:

Book

Geo-Narratives of a Filial Son: The Paintings of Huang Xiangjian (1609-1673), Cambridge, Mass.: Harvard University Asia Center, 2016. Finalist, Charles Rufus Morey Book Award, 2017.

Articles

"Experiential Readings and the Grand View: Mount Jizu by Huang Xiangjian (1609-1673)," The Art Bulletin (September 2012), no. 3: 412-436 .

"Envisioning a Monastery: A Seventeenth-Century Buddhist Fund-Raising Appeal Album," T'oung Pao 97 (2011) 104-159.

"Visual Experience in Late-Ming Suzhou 'Honorific' and 'Famous Sites' Paintings," Ars Orientalis 36 (2009) 137-177.

"The Paintings of Huang Xiangjian's Filial Journey to the Southwest," Artibus Asiae 67 (2007), no. 2: 297-357.

Book Chapters

“Geo-Narrative in Seventeenth-Century China.”  In The Itineraries of Art: Topographies of Artistic Mobility in Europe and Asia.  Edited by Karin Gludovatz, Juliane Noth, and Joachim Rees.  Berliner Schriften zur Kunst.  Munich: Wilhelm Fink Publishers, 2015, 109-132.

Exhibitions

Co-curator, "The Lady at the Window: Figure Painting in the Qing Dynasty," Berkeley Art Museum, University of California, Fall 2001.

Papers, Conferences and Symposia

“The Yandang Range: Meditation, Healing, and Iconography,” Association of Asian Studies, Washington, D.C., March 25, 2018

“Landscape and Biography in a 17th Century Parting Painting,” “Return of Ten Thousand Dharmas: A Symposium in Honor of Patricia Berger,” University of California, Berkeley, May 6, 2017

“Painting Religious Experience in the Yandang Mountains,” 1st Annual Art Historians of the Twin Cities Symposium, April 2, 2016 

“Painting the ‘Illusory Transformings’ of a Chinese Mountainscape,” College Art Association Annual Meeting, Washington, D.C., February 4, 2016

“Place Paintings as Pictorial Biographies,” Western Conference of the Association for Asian Studies, Arizona State University, Tempe, Arizona, October 3, 2014

"Huang Xiangjian (1609-1673):  Painting a Dual Biography," Biography in East Asia, 1400-1900," Institute of Asian Research, University of British Columbia, Vancouver, British Columbia, June 28-29, 2013

"Geo-Narrative in Seventeenth-Century China," DFG Research Group "Transcultural Negotiations in the Ambits of Art," International Conference "The Itineraries of Art."  Topographies of Artistic Mobility in Europe and Asia, 1500-1900," Freie Universität Berlin, May 23-25, 2013

"A Geo-Narrative of Southwest China as Pictorial Biography" in the panel "Place, Praxis and Representation in Ming China," Association for Asian Studies Annual Conference, San Diego, California, March 24, 2013

Discussant, "Place, Memory, and Visuality in Chinese Painting," Association for Asian Studies Annual Conference, Toronto, Canada, March 16, 2012.

"Art Historical Field Notes: The Experience of 'The Site'." College Art Association Annual Meeting, New York City, February 10, 2011

"The Filial Son of Suzhou: Huang Xiangjian," Suzhou Museum, Suzhou China, June 20, 2009.

"The Filial Campaign of Huang Xiangjian," Midwest Conference on Asian Affairs, St. Olaf College and Carleton College, October 11, 2008.

"Recreating the Pilgrimage Experience in Seventeenth-Century Chinese Painting: Circumambulating Mount Jizu," guest lecture, Missouri State University, April 20, 2007.

"Local Geography in a 1656 Painting of Mount Jizu," paper delivered at the International Symposium on Chinese Local History, Salt Lake City, Utah, November 5, 2004.

Research Grants

University Scholars Grant, University of St. Thomas, 2018-2021.

Finalist, Charles Rufus Morey Book Award, 2017.

James P. Geiss Foundation Publication Subvention Award, 2014.

Association for Asian Studies First Book Subvention Award, 2014.

CAA Millard Meiss Fund Subvention Award, 2014.                                    

Research Grant, University of St. Thomas, 2011.

Graduate Research Team Grant, University of St. Thomas, 2011.

Junior Scholar Grant, Chiang Ching-kuo Foundation for International Scholarly Exchange, 2010 

Research Travel Grant, University of Utah Department of Art and Art History, 2005

Dissertation Research Grant, Asian Cultural Council, 2004

Dissertation Research Grant, Metropolitan Center for Far Eastern Art Studies, Tokyo, 1999-2000

Louise Wallace Hackney Fellowship for the Study of Chinese Art, American Oriental Society, 1998-1999

Courses Offered

Chinese Painting; Buddhist Art; Chinese Sculpture and Architecture.

Sample Seminars: Shanghai Modern!; Chinese Pictorial Narrative; Painting and Place in China; Art and Politics in China

Fall 2018 Courses

Fall 2018 Courses
Course - Section Title Days Time Location
ARHS 530 - 01 Chinese Objects and Craft - T - - - - - 1730 - 2030 OEC 311

Days of Week:

- T - - - - -

Time of Day:

1730 - 2030

Location:

OEC 311

Course Registration Number:

41528 (View in ClassFinder)

Credit Hours:

Instructor:

Elizabeth J. Kindall

This course will consider Chinese objects generally excluded from Chinese and Western art-historical narratives of "fine art" that focus on calligraphy, painting, sculpture, and bronze vessels. The object types under examination will encompass imperial, scholar, and merchant family collectables including ceramics, jewelry, silks, and tapestry, paper sculpture and prints, stone and marble items, wood carving, and silver and gold utensils. We will examine not only the objects and art-historical narratives surrounding them, but also various current methodologies museum professionals, social historians, and material culture historians are applying to their study. The issues and methodologies we address in relation to these objects will include production and technique; surface aesthetics; craft and craft history; folk art; commerce, colonialism, and consumption; museology; private and public collecting practices; Orientalism and self-Orientalism; the local and the global lives of objects; the miniature; the economic history of luxury objects in global perspective; and cultural encounters, artistic exchange, and hybridity.

Schedule Details

Location Time Day(s)
ARHS 590 - 01 Mongolian Art & Architecture - - - - - - - -

Days of Week:

- - - - - - -

Time of Day:

-

Location:

Course Registration Number:

41818 (View in ClassFinder)

Credit Hours:

Instructor:

Elizabeth J. Kindall

Schedule Details

Location Time Day(s)
ARTH 485 - 01 Chinese Objects and Craft - T - - - - - 1730 - 2030 OEC 311

Days of Week:

- T - - - - -

Time of Day:

1730 - 2030

Location:

OEC 311

Course Registration Number:

42253 (View in ClassFinder)

Credit Hours:

Instructor:

Elizabeth J. Kindall

Schedule Details

Location Time Day(s)

J-Term 2019 Courses

J-Term 2019 Courses
Course - Section Title Days Time Location

Spring 2019 Courses

Spring 2019 Courses
Course - Section Title Days Time Location
ARTH 110 - W05 Introduction to Art History M - W - - - - 1335 - 1510 OEC 414

Days of Week:

M - W - - - -

Time of Day:

1335 - 1510

Location:

OEC 414

Course Registration Number:

20391 (View in ClassFinder)

Credit Hours:

Instructor:

Elizabeth J. Kindall

Through a series of case studies, this course examines the importance of art as cultural expression across time and from a global perspective. In each course section, students will analyze the style, subject, and patronage of works of art, and will explore art's relationship to religion, ideology, society and economy, gender roles, and the interaction of cultures. Case studies will include architecture, sculpture, painting, and other arts, such as ceramics, textiles, and photography. This course fulfills the Fine Arts and Human Diversity core requirements. Consult the department website for details about the specific sections offered.

Schedule Details

Location Time Day(s)
ARTH 110 - W06 Introduction to Art History M - W - - - - 1525 - 1700 OEC 414

Days of Week:

M - W - - - -

Time of Day:

1525 - 1700

Location:

OEC 414

Course Registration Number:

20834 (View in ClassFinder)

Credit Hours:

Instructor:

Elizabeth J. Kindall

Through a series of case studies, this course examines the importance of art as cultural expression across time and from a global perspective. In each course section, students will analyze the style, subject, and patronage of works of art, and will explore art's relationship to religion, ideology, society and economy, gender roles, and the interaction of cultures. Case studies will include architecture, sculpture, painting, and other arts, such as ceramics, textiles, and photography. This course fulfills the Fine Arts and Human Diversity core requirements. Consult the department website for details about the specific sections offered.

Schedule Details

Location Time Day(s)