How the Second Vatican Council influenced the work of American Crosier missionaries in a remote region of Papua, Indonesia, especially in connection with the art and culture of the Asmat people who live there, is examined in in the American Museum of Asmat Art’s latest exhibition at the University of St. Thomas.

The Second Vatican Council, which closed in 1965, promoted religious dialogue and supported anthropological efforts to understand and work with Asmat cultural traditions and spiritual beliefs.

The exhibition, “Museums and Mission: American Crosiers in Asmat and the Spirit of Vatican II,” is free and open to the public and can be seen April 1 through Dec. 19 in The Gallery, located on the second floor of the Anderson Student Center on the university’s St. Paul campus.

A drum made by an Asmat named Konpas from the Yupmakcain region.

A drum made by an Asmat named Konpas from the Yupmakcain region.

A reception with the six graduate art history students who curated the exhibition will be held at 5 p.m. Monday, April 7, at The Gallery. The students are Bret Campion, Angela Daniels, Tongtong Guo, Kathryn Joy, Chelsea Lynch and Dakota Passariello. They developed the exhibition as part a graduate seminar taught last semester by American Museum of Asmat Art director Dr. Julie Risser.

The exhibition also includes seven photographs of Asmat life taken last fall by Joshua Irwandi from Indonesia. He is pursuing a master’s in photojournalism and documentary photography at the London College of Communications. Irwandi will discuss “Covering Asmat” in a 4 p.m. talk Tuesday, April 8, in Room 202 of the Anderson Student Center. The talk is geared toward students who hope to travel and do research, whether in Asmat or other regions, and will address practical and ethical issues involved with photographing other cultures.

The Asmat people – who inhabit a remote region of Papua, Indonesia – are known for their traditional and contemporary carvings. They live in several hundred villages that are located in tidal and freshwater swamps and lowland rainforests. The challenges of reaching this part of southwestern Papua meant the Asmat had little contact with the outside world until the 1950s.

The American Crosier Fathers and Brothers began collecting Asmat art when they first arrived in Papua 60 years ago. They established the Asmat Museum of Culture and Progress in the Papua city of Agats. Much of the collection then moved to the Crosier Art Museum in Hastings, Neb., and later to Shoreview, Minn. In 2007 more than 1,400 pieces came to St. Thomas, a gift of the American Crosier Fathers and Brothers and the Diocese of Agats.

The collection, one of the most comprehensive of its kind in the United States, has since grown to more than 2,000 pieces and includes finely crocheted masks, intricately carved shields, long “spirit canoes” and tall ancestor or bisj poles. The St. Thomas-based American Museum of Asmat Art is the only one that has continued to purchase art directly from Asmat artists in recent years.

“One essential goal of the Crosier mission work in Asmat was to create programming that would contribute to teaching skills needed to engage successfully with the international world, a force that was rapidly entering their society,” Risser said. “Promoting carved and woven works by master carvers and weavers emerged as a viable way to engage with the international cash economy as well as affirm respect for the rich Asmat culture.”

Items selected by the students for the exhibition include drums, carved sculptures, digging sticks, nose pieces, arm bands, decorated fiber objects and bowls.

Also included is a video loop featuring interviews with Crosier missionaries who served in Agats. In a 2011 interview about the sacred nature of drums, Father Dave Gallus commented: “It is through the carving that the ancestor is remembered. So the drum has a name, usually. And when you use the drum, the ancestor is also present.”

In addition to the museum at St. Thomas, large collections of Asmat art and artifacts can be found at the Metropolitan Museum of Art in New York City and the Tropenmuseum in Amsterdam. In 2009, the Minneapolis Institute of Arts displayed 72 pieces from the St. Thomas collection during a four-month exhibition. Some art historians believe that Asmat art influenced modernist and surrealist Western artists such as Henri Matisse, Marc Chagall and Pablo Picasso.

Exhibition hours are: 10 a.m. to 4 p.m. Mondays through Wednesdays; 10 a.m. to 8 p.m. Thursdays; 10 a.m. to 2 p.m. Fridays; and noon to 4 p.m. on weekends. More information is available at (651) 962-5512 and on the Department of Art History website.

Painted mat by Efarista Tojakap from the Asmat village of Erma. St. Thomas photo.

Painted mat by Efarista Tojakap from the Asmat village of Erma. (St. Thomas photo)