Music Education Graduate Course Offerings ‌

Graduate Music courses at the University of St. Thomas are designed for professionsl music educators who wish to strengthen their classroom teaching effectiveness by combining theoretical and applied study. Internationally recognized educators and musicians - many of whom teach in elementary and secondary schools - serve as faculty for this graduate program. Our work encourages a continual process of music education reform. We initiate programs that address practioners' musical, intellectual, and professional needs. We value classroom practice, theory, and research equally in our quest to improve the quality of music education.

Course Registration Form (Current degree and nondegree students should register online through MURPHY).

View the Summer 2014 Brochure.

Summer 2014 Courses

Choral Courses

Advanced Choral Conducting (GMUS 727), 2 cr.
Angela Broeker, DMA
July 7-18
10 a.m.-1 p.m., Brady Educational Center 110

For the advanced choral conductor. Laboratory course with in-depth study of conducting gesture and its effect on choral sound. Individual lessons in the choral lab setting constitute a major component of this course. Challenging SATB and treble choir pieces and choral/orchestral repertoire. Score study, rehearsal techniques, and performance practice issues.

Prerequisite: Intermediate Choral Conducting (GMUS 726)
Additional course fee: $45

Advanced Choral Conducting Lab (GMUS 728), 1 cr.
Angela Broeker, DMA
July 7-18
10 a.m.-1 p.m., Brady Educational Center 110

During this course, advanced choral conducting students will extend their skills by choosing, analyzing, teaching, rehearsing and conducting a choral octavo in a conducting lab setting.

Prerequisite: Advanced Choral Conducting (GMUS 727)
Additional course fee: $45.

Choral Score Study and Literature II (GMUS 674), 2 cr.
Angela Broeker, DMA
June 16-27
8:30-11:30 a.m., Brady Educational Center 110

Study of choral literature representing the Classic, Romantic, and Twentieth Century style periods. Survey of historical and style evolution of major choral genres and analysis of representative works for each era. 

Prerequisite: Choral Score Study and Literature I (GMUS 673)
Additional course fee: $25

CANCELLED - Developing the Child Voice (GMUS 517), 2 cr. 
Ruth Dwyer

Philosophy, methods, and materials for the elementary (K-6) classroom setting designed to foster a love of singing and build toward vocal health, singing skill, and independent musicianship. Examination of a skill- and knowledge-based approach that teaches and celebrates music and singing through a developmentally oriented curriculum.

Intermediate Choral Conducting (GMUS 726), 2 cr.
Angela Broeker, DMA
July 7-18
12-3 p.m., Brady Educational Center 110

Designed for the intermediate choral conductor. Laboratory course with in-depth study of conducting gesture and its effect on choral sound.  Individual lessons in the choral lab setting constitute a major component of this course.  Score study, rehearsal techniques, and performance practice issues. 

Additional course fee: $45

IPA/English/French Diction (GMUS 530), 1 cr.
Alan Bryan, DMA
July 28-Aug. 1
8:30-11:30 a.m., Brady Educational Center 110

Introduction to singing in the French language utilizing the International Phonetic Alphabet. Emphasis on pronunciation, enunciation, declamation, artistic expression, and interpretive considerations in the context of French song texts and choral repertoire.

Teaching Adolescent Voices in a Choral Setting (GMUS 523), 3 cr.
Matt Culloton, DMA and Dan LeJeune
June 23-July 3
12-5 p.m., Brady Educational Center 110

Exploration of a wide range of repertoire that considers ranges, tessituras, and emotional characteristics of emerging and mature adolescent voices. Emphasis on criteria for selective repertoire, analytical tools, and developing a choral library for middle school,  SATB, SSA, and TTBB choirs. 

Additional course fee: $40.

Voice Fundamentals (GMUS 676), 2 cr.
Joe Reed
July 21-25
8:30 a.m.-3:30 p.m., Brady Educational Center 111

Practical training for working with PreK-adult voices of all ranges, while preserving and protecting your voice and your students' voices for long-term use. Examination of literature and practice of appropriate techniques that foster vocal health. Various teaching approaches from scientific to empirical are presented and discussed.

Dalcroze Courses

The St. Thomas Master of Arts in Music Education curriculum features high quality education in eurhythmics, solfege and improvisation, and materials and methods. Dalcroze study at St. Thomas introduces students to music education that trains the body in rhythm and dynamics; trains the ear, eye, and voice in pitch, melody and harmony using fixed-do; and combines eurhythmics and solfege according to the students' own invention, while providing application tools for classroom and studio.

Dalcroze Musicianship (GMUS 651), 3 cr.
Kathy Thomsen, DMA
June 23-July 3, Monday thru Thursday
8:30a.m.-3:30 p.m., Brady Educational Center 120 (Auditorium)

Musicianship development based on the Dalcroze approach. Study of eurhythmics (training the body in rhythm and dynamics), solfege (training the ear, eye and voice in pitch, melody and harmony using fixed-do), improvisation (combining eurhythmics and solfege according to the students’ own invention – in movement, with the voice, on an instrument) and methods (application tools for the classroom and studio).

General Courses

African Music Ensemble (GMUS 671), 2 cr.
Sowah Mensah
June 16-20
9:45 a.m.-4:45 p.m., Brady Educational Center LL30A (Rehearsal Hall)

Study of traditional African music (Ghanaian culture) through music performance. Performance of chants, songs, music for social and festive occasions, and other vocal and instrumental examples selected from a variety of styles. All instruments provided, except flute and CD's which can be purchased in class.

CANCELLED - Exploring Technology in Music Education (GMUS 544-04), 1 cr.
Chris Russell, Ph.D.

The technology needs of the music educator and music student are different than the technology needs of other subjects. This course will expose students in the graduate program to established and emerging technologies which can be used to enhance instruction in music education including: a survey of student technology skills and interests; basic concepts in technology in music education; different technology available to music education; technology related music education blogs; as well as free and public domain technology resources available on the internet.

CANCELLED - Music in the Early Childhood (GMUS 544-02), 1 cr.
Leigh Ann Garner, Ph.D.

Since the beginning of the 20th century, the advocacy and study of the implications of early childhood music instruction have been at the center of discussion among leaders in music and arts education. With the increased interest and demand for quality instruction, educators have been posed with the challenge of generating quality curriculum that is developmentally appropriate for pre-school age children. This course will provide a framework for developing musical artistry and skills for children ages 1-5. Selection of quality repertoire, appropriate performance practice, curriculum and lesson sequencing will be discussed as they relate to nurturing musical skills in a playful and musical learning environment.

CANCELLED - Philosophical Foundations and Aesthetics in Music Education (GMUS 840), 3 cr.
Doug Orzolek, Ph.D.

Application of philosophical theory to practical issues and problems facing the field of arts education. One of the primary goals of the course is the development of a personal philosophy of arts education. Topics include art and feeling, the creative process, aesthetic meaning, aesthetic experience, musical meaning and experiences in arts education. Please note that the primary artistic area explored will be music.

Teaching Global Music in the 21st Century Music Classroom (GMUS 544-01), 1 cr.
Karen Howard
June 30-July 3
9 a.m.-1 p.m., Brady Educational Center LL03

What would a 21st Century classroom look like in terms of global music? This course seeks to address this question by collaborating with local teaching artists, immersing ourselves in high-quality materials, and learning protocols for studying global music. Throughout the course we will build an individual and collective framework for including global music in our music classrooms, and we will interact with teaching artists from diverse backgrounds to hone and focus our framework This class will prepare you to bring new materials to your classroom, as well as have a clear understanding of the role of these materials and resources.

Instrumental Courses

Advanced Instrumental Conducting (GMUS 690), 3 cr.
Matt George, DMA 
Aug. 4-8
8 a.m.-5 p.m., Brady Educational Center LL30A

Intensive laboratory seminar of conducting concepts and mechanics. Instruction in advanced score analysis as it relates to physical gesture and rehearsal/performance application, stylistic interpretation, rehearsal pacing, and podium communication. Daily opportunity to conduct an instrumental ensemble during the second week of the course. Prerequisite: GMUS 687 Advanced Instrumental Score Study and Literature.

Prerequisite: Advanced Instrumental Score Study and Literature (GMUS 687)
Additional course feel $45

Advanced Instrumental Score Study and Literature (GMUS 687), 3 cr. 
Doug Orzolek,Ph.D.
July 28-Aug. 1 
8a.m.-5 p.m., Brady Educational Center LL30A

Designed for the experienced conductor interested in deepening skills in practical score analysis. Primary attention addressing performance problems in the score through rehearsal preparations and physical conducting technique. Literature appropriate to class membership is selected for use in the course.

This course is a prerequisite for Advanced Instrumental Conducting (GMUS 690)
Additional course fee: $45

African Music Ensemble (GMUS 671), 2 cr.
Sowah Mensah
June 16-20
9:45 a.m.-4:45 p.m., Brady Educational Center LL30A (Rehearsal Hall)

Study of traditional African music (Ghanaian culture) through music performance. Performance of chants, songs, music for social and festive occasions, and other vocal and instrumental examples selected from a variety of styles. All instruments provided, except flute and CD's which can be purchased in class.

CANCELLED - Marching Band Techniques (GMUS 557), 1 cr.
Doug Orzolek, Ph.D.

Development of skills required to successfully organize and direct marching bands within the context of a school music program. Topics include philosophy and the role of marching band in the music program, historical perspectives, marching band styles, administration and organization of the marching band and auxiliary units, teaching techniques, contemporary drill design, music selection and show development using software.

Kodály Institute at the University of St. Thomas

The Kodály Institute at the University of St. Thomas offers a certificate program endorsed by the Organization of American Kodály Educators (OAKE). Coursework provides high quality, intensive studies in: musicianship, conducting, and ensemble to enable personal growth in musicianship; materials, analysis, classification, and retrieval systems to assist students in gathering and systematizing repertoire for their personal teaching situations; and curriculum, pedagogy, and instructional techniques to further students' understanding of and practical experience in designing spiral curricula for literacy-based music education programs using inquiry-based teaching techniques.

Kodály study at UST introduces students to music education that emphasizes musical knowledge and understanding through sequential skill development. The National Standards for Music are addressed through an approach that develops the musican-educator. The developmenet of musical and pedagogcial skills occurs in an atmosphere of joyful and systematic exploration of a Kodaly-inspired approach to music education.

Kodály Levels I-III

Faculty: Jay Broeker, Nyssa Brown, Leigh Ann Garner, Ph.D. and Dan LeJeune

M.A. Kodály concentration students and OAKE-Endorsed Kodály Certificate students enroll in one class per level of study, as follows:

Level I: GMUS 741
Level II: GMUS 742
Level III: GMUS 743.

All courses are required for M.A. Kodály Concentration students and OAKE-Endorsed Kodály Certificate students.

All levels (I, II, III) will meet in the BEC Rehearsal Hall (LL30A) on Monday, July 7 at 8 a.m. There will be a final program from 1-2 p.m. on Friday, July 18.

Kodály Level I (GMUS 741), 3 cr.
July 7-18
8 a.m.-4:45 p.m., Brady Educational Center

Kodály Level I studies in musicianship and choral ensemble; materials, analysis, classification & retrieval systems; and curriculum, pedagogy and instructional techniques. Emphasis is placed on teaching grades  K and 1.

Additional course fee: $45

Course Materials: Kodaly Level I

Kodály Level II (GMUS 742), 3 cr.
July 7-18
8 a.m.-4:45 p.m., Brady Educational Center

Kodály Level II studies in musicianship and choral ensemble; materials, analysis, classification & retrieval systems; and curriculum, pedagogy & instructional techniques. Emphasis is placed on teaching grades 2 and 3.

Prerequisite: Kodály Level I (MUS 741 or GMUS 750, GMUS 751, and GMUS 753) or equivalent
Additional course fee: $45

Course Materials: Kodaly Level II

Kodály Level III (GMUS 743), 3 cr.
July 7-18
8 a.m.-4:45 p.m., Brady Educational Center

Kodály Level III studies in musicianship and choral ensemble; materials, analysis, classification and retrieval systems; and curriculum, pedagogy & instructional techniques. Emphasis is placed on teaching grades 4 and 5.

Prerequisite: Kodály Level II (MUS 742 or GMUS 753, GMUS 754, and GMUS 755) or equivalent
Additional course fee: $45

Course Materials: Kodaly Level III

Orff Schulwerk Program

The Orff Schulwerk program is a model of innovation for Orff certification courses offered in the United States. The University of St. Thomas curriculum features education in subjects required by the American Orff Schulwerk Association: technique and improvisation, analysis and arranging, pedagogy, movement, and recorder-all of which are highlighted in individual classes and integrated through literature study. A distinctive feature of the UST program is the opportunity for students to engage in practical application of ensemble work in a daily pedagogy hour at each level of study.

Orff Schulwerk study at UST introduces students to music education that emphasizes skill development and musical understanding through creative participation in open-ended activities. the National Standards for Music are addressed through an approach that develops the body, ear, and mind in a variety of collective music-making processes. The development of musical and pedagogical skills occurs in an atmosphere of joyful exploration in an Orff Schulwerk approach to music education.

Orff Schulwerk Levels I-III

Faculty: Jay Broeker, Michael Chandler, Cindy Hall, Mona Mann, Beth Melin Nelson, and Jacque Schrader
All Levels (I, II, III) will meet in the BEC Auditorium on Monday, July 28 at 8 a.m.

GMUS 731, 732, 733, and 735 are required for M.A. Orff concentration and Orff mastery certificate students.

CANCELLED - Orff Master Class (GMUS 532), 2 cr.

For the experienced Orff teacher. An overview of Carl Orff and Gunild Keetman's work, The Schulwerk, as the basis for reviewing current goals for classroom music. Study of volumes I-V, through analysis, performance, improvisation, and composition as a record of pedagogy in the 1950's and their value in nurturing skills and concepts that develop creativity in today's classroom.

Orff Schulwerk Level I (GMUS 731), 3 cr.
July 28, 8 a.m.-4:30 p.m.; July 29-Aug. 8, 8:30 a.m.-4:30 p.m.

Basic Orff elemental musicianship, including study of pentatonic melodies, ostinati, bordun accompaniments, and elemental forms; soprano recorder technique; classroom application, technique, and improvisation; basic movement skills and classroom application, and folkdance.

Additional course fee: $45
2104 Required Orff Materials

Orff Schulwerk Level II (GMUS 732), 3 cr.
July 28, 8 a.m.-4:30 p.m.; July 29-Aug. 8, 8:30 a.m.-4:30 p.m.

Study of pentatonic, diatonic and modal melodies; melodic ostinato, bordun, and shifting chord accompaniments; irregular and changing meters; alto recorder and classroom applications and improvisation; sequential teaching of dance forms and folk dances. 

Prerequisite: GMUS 731 or equivalent AOSA approved course
Additional course fee: $45
2104 Required Orff Materials

Orff Schulwerk Level III (GMUS 733), 3 cr.
July 28, 8 a.m.-4:30 p.m.; July 29-Aug. 8, 8:30 a.m.-4:30 p.m.

Improvisation in diatonic modes, asymmetric meters, and harmonic accompaniments; ensemble performance of all recorder voices; choreography and improvisation relative to movement and music. 

Prerequisite: GMUS 732 or equivalent AOSA approved course
Additional course fee: $45
2104 Required Orff Materials

Orff Curriculum Development (GMUS 735), 2 cr.
Jay Broeker
July 21-25
8:30 a.m.-3:30 p.m., Brady Educational Center LL03

Classroom application of basic Orff vocabulary, theory, sequential skills, and concepts to the classroom.  Implementation of typical Orff activities in learning experiences designed for elementary students.  In-depth objectives for each grade; development of supporting teaching strategies, and lesson plans; skills and concepts curriculum grid.  Emphasis on application of studies through small-group and peer teaching. 

Prerequisite: Orff Levels I and II from any AOSA approved course

Piano Pedagogy Courses

CANCELLED - Preschool Piano Pedagogy (GMUS 544-05), 1 cr.
Suzanne Schons, Ph.D.

This course serves as an introduction to teaching piano to young students (ages 3-5). Topics will include developmental stages of preschool students, philosophies and approaches to teaching them, instructional settings, methods and programs, repertoire, technique and musicianship activities, motivation, parental involvement and practice expectations. This course also will survey some general music programs for young children (ages 0-5) that can help prepare students for preschool music lessons and serve as an additional source of income and student recruitment for piano teachers. Any teacher with intermediate-level keyboard skills is welcome to enroll.

Supervised Teaching (GMUS 800), 1 cr.
Faculty direction and observation of each student's teaching. Students will videotape their own piano students for the basis of the class. Prerequisite: completion of pedagogy courses.

Summer Workshops in Piano Pedagogy

The Summer Workshops in Piano Pedagogy series will not be held during summer 2014.

This annual event features intensive workshops in piano pedagogy, literature, and performance by nationally and internationally renowned piano teachers and performers. Past presenters have included Seymour Bernstein, Marvin Blickenstaff, Ingrid Clarfield, Randall Faber, Maurice Hinson, Barbara Lister-Sink, Jane Magrath, Scott McBride Smnith, Peter Takacs, Weekley and Arganbright, William Westney, and many others. Enrollment is open to the general public. Graduate-level credit is optional.

Music Education Core Courses

The prerequisite for enrolling in the Master of Arts in Music Education core courses is acceptance into the master's program.

Application deadlines are:

  • July 1 for fall admission
  • Dec. 1 for spring admission
  • April 1 for summer admission
  • Complete applications will be reviewed on a rolling basis.

Students design their degree coursework in consultation with the program director.

Foundations of Music Education (GMUS 608), 3 cr.
Karen Howard
June 24-Aug. 7, Tuesday and Thursday
6-9 p.m., Brady Educational Center 110

Consideration of cultural, philosophical, and historical contexts of music education through reading assignments and student presentations.

Introduction to Scholarship and Research Methods in Music Education (GMUS 600), 3 cr.
Doug Orzolek, Ph.D.
June 23-Aug. 6, Monday and Wednesday
Monday, 6:30-10 p.m.
Wednesday, 5-8:30 p.m., Brady Educational Center 110 

This course will guide students toward: comprehending research articles and methodologies that they will encounter over the course of their careers; building skills in working with library resources, database and other bibliographic materials; developing skills generally in academic writing and American written English - and particularly in accordance with Kate Turabian's A Manual for Writers of Term Papers, Theses, and Dissertations, Chicago: The University of Chicago Press, 1996/2007; and provide an opportunity for initial thinking about how they will carry out their work for GMUS 890 in terms of a topic and format.

Musicianship (GMUS 750), 1 cr.
Shersten Johnson, Ph.D.
June 30-July 3
1-4:45 p.m., Brady Educational Center 111

Studies in musicianship, including systematic sight-reading, aural transcription, and analytical skill development.Course is required for all Master of Arts students (not required of Kodály concentration).

Prerequisite: Successful completion of the Master of Arts In Music Education Music History and Theory Diagnostic Examination (Log-in on Blackboard)
Additional course fee: $20

Perspectives in Music Theory (GMUS 611), 3 cr.
Shersten Johnson, Ph.D.
June 24-Aug. 7, Tuesday and Thursday
6-9 p.m., Brady Educational Center 111

Creative construction of conceptual frameworks that blend traditional analytical techniques with recent trends in music theory scholarship. Development of methodology for the perceptual and reflective study of musical processes, style, and meaning. Critical listening, score reading, composing, and writing about music.

Teaching and Learning (GMUS 601), 3 cr.
Doug Orzolek, Ph.D.
June 23-Aug. 6, Monday and Wednesday
Monday, 5-8:30 p.m.
Wednesday, 6:30-10 p.m., Brady Educational Center 111

Comprehensive overview of learning theories, instructional theories, and implications for the teaching of music to children in grades K-12. Applications of principles and concepts inherent in these theories to the teaching and learning of music.

Topics in Music History, Literature & Theory (GMUS 612), 3 cr.
June 23-Aug. 6, Monday and Wednesday
6-9 p.m., Brady Educational Center 113

This course explores the history and ideas surrounding American song, from works performed by voice as well as instrumental versions of songs.  Topics covered will include 19th c. song, Sousa and his influence, Irving Berlin, Blues, Jazz, Chuck Berry and Rock, Musical Theater, Country Music, Women's Voices in Music, and Ragtime.

Prerequisite: Successful completion of the Master of Arts In Music Education Music History and Theory Diagnostic Examination (Log-in on Blackboard)

Directed Research (GMUS 876), 0 cr.
Graduate Music Education Faculty

  1. The only occasions students register for GMUS 876 are when:They have selected Designs Four or Five and are in the first semester of the process (see individual Design Four or Design Five Guidelines), or
  2. When they are in a "hold" mode of not working with their advisors for a term and thus are registered for GMUS 876-99.
    • Students will not be assessed the one-credit tuition fee for a semester in which they are not working with their advisor but instead will register for GMUS 876-99 ($75 fee assessed) during these terms.
    • GMUS 876-99 terms are limited to one per student.
    • For students doing Designs Four or Five, GMUS 876 and GMUS 890 cannot be interspersed with a section 99 without approval from the advisor and director of GPME.

Students enroll in the section of GMUS 876 matching the project advisor's name below:

GMUS 876-05 Directed Research, Dr. Alan Bryan
GMUS 876-07 Directed Research, Dr. Doug Orzolek
GMUS 876-09 Directed Research, Dr. Angela Broeker
GMUS 876-11 Directed Research, Dr. Shersten Johnson
GMUS 876-13 Directed Research, Dr. Sarah Schmalenberger
GMUS 876-15 Directed Research, Dr. Vanessa Cornett-Murtada
GMUS 879-99 Directed Research, not working with advisor

M.A. Project (GMUS 890), 1 cr.
Graduate Music Education Faculty

Students enroll in the section of GMUS 890 (and 876 in the cases of Designs Four and Five) matching the project advisor's name below during the semester they write and complete their projects:

GMUS 890-05 Directed Research, Dr. Alan Bryan
GMUS 890-07 Directed Research, Dr. Doug Orzolek
GMUS 890-09 Directed Research, Dr. Angela Broeker
GMUS 890-11 Directed Research, Dr. Shersten Johnson
GMUS 890-13 Directed Research, Dr. Sarah Schmalenberger
GMUS 890-15 Directed Research, Dr. Vanessa Cornett-Murtada

Applied Performance Studies

Applied Performance Studies (GMUS 570-592), 1 cr.
Performance Faculty

Twelve 50-minute individual lessons: 1 cr.; Twelve 30-minute individual lessons: 1 cr. Arrange private lessons with the instructor BEFORE registering. Specify the instructor and duration of lessons on the course registration form.

GMUS 570 Harpsichord GMUS 582 French Horn
GMUS 571 Piano GMUS 583 Trombone
GMUS 572 Lute GMUS 584 Euphonium
GMUS 573 Recorder GMUS 585 Tuba
GMUS 574 Voice GMUS 586 Percussion
GMUS 575 Organ GMUS 587 Violin
GMUS 576 Flute GMUS 588 Viola
GMUS 577 Oboe GMUS 589 Cello
GMUS 578 Clarinet GMUS 590 Double Bass
GMUS 579 Bassoon GMUS 591 Guitar
GMUS 580 Saxophone GMUS 592 Harp
GMUS 581 Trumpet GMUS 593 Composition

 

Courses at Shell Lake

MUSW 501-01 Big Band Workshop, 1 cr.

Shell Lake Arts Center

Study with the Pros! You'll perform jazz ensemble big band under the guidance of our nationally recognized teaching-artist faculty. This workshop for adults is open to all levels of experience, from beginner to advanced. Whether you're perfecting your jazz skills or need to polish the dust off your instrument, this workshop is for you!

Non-Credit: $300
Graduate Credit: $425

Future Courses

Fall 2014 Course Offerings

Applied Performance Studies (GMUS 570-592), 1 cr.
Performance Faculty

Twelve 50-minute individual lessons: 1 cr.; Twelve 30-minute individual lessons: 1 cr. Arrange private lessons with the instructor BEFORE registering. Specify the instructor and duration of lessons on the course registration form.

GMUS 570 Harpsichord GMUS 582 French Horn
GMUS 571 Piano GMUS 583 Trombone
GMUS 572 Lute GMUS 584 Euphonium
GMUS 573 Recorder GMUS 585 Tuba
GMUS 574 Voice GMUS 586 Percussion
GMUS 575 Organ GMUS 587 Violin
GMUS 576 Flute GMUS 588 Viola
GMUS 577 Oboe GMUS 589 Cello
GMUS 578 Clarinet GMUS 590 Double Bass
GMUS 579 Bassoon GMUS 591 Guitar
GMUS 580 Saxophone GMUS 592 Harp
GMUS 581 Trumpet GMUS 593 Composition

 

Foundations of Music Education (GMUS 608), 3 cr.
Karen Howard
Sept. 3-Dec. 19, Monday
6-9:30 p.m., Brady Educational Center 111

Consideration of cultural, philosophical, and historical contexts of music education through reading assignments and student presentations.

Supervised Teaching (GMUS 800), 1 cr.
Piano faculty direction and observation of each student's teaching. Students will videotape their own piano students for the basis of the class. Prerequisite: completion of pedagogy courses.

Directed Research (GMUS 876), 0 cr.
Graduate Music Education Faculty

The only occasions students register for GMUS 876 are when:

  1. They have selected Designs Four or Five and are in the first semester of the process (see individual Design Four or Design Five Guidelines), or
  2. When they are in a "hold" mode of not working with their advisors for a term and thus are registered for GMUS 876-99.
    • Students will not be assessed the one-credit tuition fee for a semester in which they are not working with their advisor but instead will register for GMUS 876-99 ($75 fee assessed) during these terms.
    • GMUS 876-99 terms are limited to one per student.
    • For students completing Designs Four or Five, GMUS 876 and GMUS 890 cannot be interspersed with a section 99 without approval from the advisor and director of GPME.

Students enroll in the section of GMUS 876 matching the project advisor's name below:

GMUS 876-05 Directed Research, Dr. Alan Bryan
GMUS 876-07 Directed Research, Dr. Doug Orzolek
GMUS 876-09 Directed Research, Dr. Angela Broeker
GMUS 876-11 Directed Research, Dr. Shersten Johnson
GMUS 876-13 Directed Research, Dr. Sarah Schmalenberger
GMUS 876-15 Directed Research, Dr. Vanessa Cornett-Murtada
GMUS 879-99 Directed Research, not working with advisor

M.A. Project (GMUS 890), 1 cr.
Graduate Music Education Faculty

Students enroll in the section of GMUS 890 (and 876 in the cases of Designs Four and Five) matching the project advisor's name below during the semester they write and complete their projects:

GMUS 890-05 Directed Research, Dr. Alan Bryan
GMUS 890-07 Directed Research, Dr. Doug Orzolek
GMUS 890-09 Directed Research, Dr. Angela Broeker
GMUS 890-11 Directed Research, Dr. Shersten Johnson
GMUS 890-13 Directed Research, Dr. Sarah Schmalenberger
GMUS 890-15 Directed Research, Dr. Vanessa Cornett-Murtada

Spring 2015 Course Offerings

Applied Performance Studies (GMUS 570-592), 1 cr.
Performance Faculty

Twelve 50-minute individual lessons: 1 cr.; Twelve 30-minute individual lessons: 1 cr. Arrange private lessons with the instructor BEFORE registering. Specify the instructor and duration of lessons on the course registration form.

GMUS 570 Harpsichord GMUS 582 French Horn
GMUS 571 Piano GMUS 583 Trombone
GMUS 572 Lute GMUS 584 Euphonium
GMUS 573 Recorder GMUS 585 Tuba
GMUS 574 Voice GMUS 586 Percussion
GMUS 575 Organ GMUS 587 Violin
GMUS 576 Flute GMUS 588 Viola
GMUS 577 Oboe GMUS 589 Cello
GMUS 578 Clarinet GMUS 590 Double Bass
GMUS 579 Bassoon GMUS 591 Guitar
GMUS 580 Saxophone GMUS 592 Harp
GMUS 581 Trumpet GMUS 593 Composition

 

Supervised Teaching (GMUS 800), 1 cr.
Piano faculty direction and observation of each student's teaching. Students will videotape their own piano students for the basis of the class. Prerequisite: completion of pedagogy courses.

Directed Research (GMUS 876), 0 cr.
Graduate Music Education Faculty

The only occasions students register for GMUS 876 are when:

  1. They have selected Designs Four or Five and are in the first semester of the process (see individual Design Four or Design Five Guidelines), or
  2. When they are in a "hold" mode of not working with their advisors for a term and thus are registered for GMUS 876-99.
    • Students will not be assessed the one-credit tuition fee for a semester in which they are not working with their advisor but instead will register for GMUS 876-99 ($75 fee assessed) during these terms.
    • GMUS 876-99 terms are limited to one per student.
    • For students completing Designs Four or Five, GMUS 876 and GMUS 890 cannot be interspersed with a section 99 without approval from the advisor and director of GPME.

Students enroll in the section of GMUS 876 matching the project advisor's name below:

GMUS 876-05 Directed Research, Dr. Alan Bryan
GMUS 876-07 Directed Research, Dr. Doug Orzolek
GMUS 876-09 Directed Research, Dr. Angela Broeker
GMUS 876-11 Directed Research, Dr. Shersten Johnson
GMUS 876-13 Directed Research, Dr. Sarah Schmalenberger
GMUS 876-15 Directed Research, Dr. Vanessa Cornett-Murtada
GMUS 879-99 Directed Research, not working with advisor

M.A. Project (GMUS 890), 1 cr.
Graduate Music Education Faculty

Students enroll in the section of GMUS 890 (and 876 in the cases of Designs Four and Five) matching the project advisor's name below during the semester they write and complete their projects:

GMUS 890-05 Directed Research, Dr. Alan Bryan
GMUS 890-07 Directed Research, Dr. Doug Orzolek
GMUS 890-09 Directed Research, Dr. Angela Broeker
GMUS 890-11 Directed Research, Dr. Shersten Johnson
GMUS 890-13 Directed Research, Dr. Sarah Schmalenberger
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