The University of St. Thomas

College of Arts & Sciences | Department of English

Leslie Miller

Leslie Miller

Leslie Miller

Professor of English

lamiller@stthomas.edu
Phone: (651) 962-5604

Office Location: JRC 352

Faculty Website

Courses taught in Spring 2013
ENGL 201-06
21782
Metaphors Be With You 1330-1510 T R JRC 301

4 Credit Hours

Metaphors like Emily Dickinson's "'Hope' is the thing with feathers," or Shakespeare's "All the world's a stage" stay with us. Far from the merely decorative literary conception many people believe it to be, metaphor--saying one thing in terms of another--is part of the very fabric of our thought, a powerful aspect of our neurological functioning and intellectual capacities. It underpins literary and popular culture alike, and understanding metaphor's role in language is intimately tied to understanding how it informs and transforms perception, shapes learning, and arouses pleasures. In this course, we'll read James Geary's I IS AN OTHER: THE SECRET LIFE OF METAPHOR AND HOW IT SHAPES THE WAY WE SEE THE WORLD as a guide to the history and functions of metaphor across a variety of disciplines and apply what we learn there to a selection of texts in poetry, fiction, and nonfiction by writers celebrated for their capacity to make memorable metaphors, including Emily Dickinson, C.S. Lewis, Larry Levis, Lorrie Moore, Sylvia Plath, Mark Doty, and Shakespeare. The writing load for this course is a minimum of 15 pages of formal revised writing. Prerequisite: ENGL 121.

ENGL 255-02
21490
Intro to Imaginative Writing 1525-1700 T R JRC 247

4 Credit Hours

This course introduces students to skills necessary for imaginative writing. It includes close readings of literary texts that model basic techniques, weekly writing exercises that encourage exploration and development of craft, and workshop discussions to develop students' critical skills. This course will include instruction in setting, character, voice, point of view, literal and figurative imagery, rhythm and sound patterns, and literary structures. Prerequisites: ENGL 201, 202, 203, or 204

ENGL 321-01
21910
Writing Poetry 1525-1700 M W OEC 307

4 Credit Hours

This intermediate course explores traditional and innovative patterns of poetry writing. Emphasis on experimentation with a variety of techniques and development of individual voice. This course will include critique sessions, readings to broaden possibilities of form and subject, and individual instruction. Open to students with some previous experience in writing poetry. Prerequisite: ENGL 255 or permission of instructor.

Courses taught in Fall 2013
ENGL 121-42
41949
Critical Thinking: Lit/Writing 1525-1700 T R JRC 301

4 Credit Hours

Students will read and write about literary texts critically and closely. The course emphasizes recursive reading and writing processes that encourage students to discover, explain, question and clarify ideas. To this end, students will study a variety of genres as well as terms and concepts helpful to close analysis of those genres. They will practice various forms of writing for specific audiences and purposes. Students will reflect on and develop critical awareness of their own strengths and weaknesses as readers and writers. The writing load for this course is a minimum of 12 pages of formal revised writing.

ENGL 255-01
41519
Intro to Imaginative Writing 1335-1510 M W JRC 481

4 Credit Hours

This course introduces students to skills necessary for imaginative writing. It includes close readings of literary texts that model basic techniques, weekly writing exercises that encourage exploration and development of craft, and workshop discussions to develop students' critical skills. This course will include instruction in setting, character, voice, point of view, literal and figurative imagery, rhythm and sounds patterns, and literary structures. Prerequisites: ENGL 201, 202, 203, or 204. PLEASE NOTE THAT THIS CREATIVE WRITING COURSE DOES NOT COUNT TOWARDS THE CORE LITERATURE AND WRITING REQUIREMENT.

ENGL 405-01
41926
Advanced Creative Writing 1800-2115 T MHC 211

4 Credit Hours

This advanced course focuses on the student's development of a substantial body of work in a chosen genre: poetry, fiction, or creative nonfiction. Students will review their previous writing, do further exploration of a chosen genre, and produce significant new work in that genre. Readings will include theoretical and creative texts. Prerequisite: ENGL 321 or 322 or 323 or permission of instructor based on examination of a portfolio

Academic History

Ph.D., University of Houston
M.F.A., University of Iowa
M.A., University of Missouri
B.A., Stephens College
At St. Thomas since 1991

Expertise/Specialties

Contemporary American Poetry
Creative Writing

Book Publications

Y, poems, Graywolf Press, forthcoming 2012

The Resurrection Trade, poems, Graywolf Press, 2007

Eat Quite Everything You See, poems, Graywolf Press, 2002

Yesterday Had a Man In It, poems, Carnegie Mellon University Press, 1998

Ungodliness, poems, Carnegie Mellon University Press, 1994

Staying Up for Love, poems, Carnegie Mellon University Press, 1990

No River, a chapbook of poems selected by William Stafford for the 1987 Stanley Hanks Chapbook Award, St. Louis Poetry Center

Hanging on the Sunburned Arm of Some Homeboy, a chapbook of poems co-written with Matthew Graham, from Domino Impressions Press, Iowa City, 1982

A complete listing of Leslie Adrienne Miller's published poems can be found on her Web site, located at www.leslieadriennemillerpoet.com

Selected Awards, Grants, and Fellowships

The Edward Stanley Award from Prairie Schooner Magazine

Loft McKnight Award of Distinction, judged by Alice Fulton

Loft Minnesota Writers Career Initiative Grant

Minnesota State Arts Board Artist Assistance Fellowships

Nebraska Review Poetry Award judged by Pamela Stewart

Arts International Travel Grant, Indonesia, United States International Education Program

Loft-McKnight Award in Poetry

The Strousse Award from Prairie Schooner Magazine

National Endowment for the Arts Poetry Fellowship

Billee Murray Denny Poetry Award

Stanley Young Fellowship in Poetry, Breadloaf Writers' Conference

Pen Southwest Discovery Award, judged by Phil Levine

Ann Stanford Poetry Prize from Southern California Anthology judged by William Matthews

Pushcart Prize

Writers at Work Poetry Fellowship, sponsored by Quarterly West, judged by Marvin Bell

Stanley Hanks Poetry Chapbook Award, St. Louis Poetry Center, selected by William Stafford

Writers at Work Poetry Fellowship, judged by Stephen Dunn

Stephens College Excellence in Teaching Award, selected by the faculty of Stephens College

President's Award from Ohio Journal, judged by David Citino

Artists' Residencies

Anderson Center For Interdisciplinary Studies, Artist's Residency

Le Chateau de Lavigny, Maison d'ecrivains, Foundation Ledig-Rowoholt, Lavigny, Switzerland, Artist's Residency

Fundacion Valparaiso, Almeria, Spain, Artist's Residency

Hawthornden Castle International Writers Retreat Fellowship, Scotland, Artist's Residency

N.A.L.L. Artists Colony, Vence, France, Artist's Residency

Goethe-Institut Cultural Exchange Fellowship in Berlin, Germany in cooperation with Chicago's Guild Complex, TriQuarterly Magazine, the Berlin Senate and Literarisches Colloquium Berlin