Doug Phillips portrait

Doug Phillips

Instructor of English
Office
JRC 349
Hours
(Spring 2017) M/W 10:00-11:30am; also by appointment
Phone
(651) 962-5655

Writers whose sentences sparkle on the page -- Shakespeare, Virginia Woolf, Samuel Beckett, James Baldwin, David Foster Wallace -- are the likely stars of the classes I teach. I'm also interested in philosophy and critical theory, from the Ancients to Simone de Beauvoir to Adorno to Zizek. My publications include pieces on Shakespeare, Beckett, Wittgenstein, Zizek, Heidegger, Harold Pinter, David Foster Wallace, Alan Bennett, T.S. Eliot, and, most recently, Wallace Stevens.

 

Spring 2017 Courses

Spring 2017 Courses
Course - Section Title Days Time Location
ENGL 201 - W02 The Sentence is a Lonely Place M - W - F - - 0815 - 0920 OEC 210
CRN: 22257 4 Credit Hours Instructor: Doug P. Phillips The title of this course is taken from Gary Lutz's essay of the same name, the upshot of which (both this course and Lutz's essay) is to focus our attention on fashioning sentences that hook, dazzle, surprise, spur double-takes, stab, make weak-kneed, and seduce. We will find our inspiration in a whirligig of writers (dramatists, novelists, poets, and essayists) whose syntactical moves and amped-up diction are worthy of thieving: Shakespeare (of course!), Gerard Manley Hopkins, Emily Dickinson, Virginia Woolf, James Joyce, James Baldwin, Martin Luther King, David Foster Wallace, Barry Hannah, William Gass, David Markson, Alexander Theroux, and Christine Schutt--to name but a possible few. Plus, we'll supplement our study and practice with a critical and theoretical examination of style, using Ward Farnsworth's CLASSICAL ENGLISH RHETORIC, as well as essays by the aforementioned Woolf, Gass, Theroux, Wallace, and Lutz. The writing load for this course is a minimum of 15 pages of formal revised writing. This course satisfies the Writing Across the Curriculum Writing Intensive requirement.

Schedule Details

Location Time Day(s)

Summer 2017 Courses

Summer 2017 Courses
Course - Section Title Days Time Location

Fall 2017 Courses

Fall 2017 Courses
Course - Section Title Days Time Location
ENGL 201 - W01 The Sentence is a Lonely Place M - W - F - - 0935 - 1040 JRC 222
CRN: 42608 4 Credit Hours Instructor: Doug P. Phillips The title of this course is taken from Gary Lutz's essay of the same name, the upshot of which (both this course and Lutz's essay) is to focus our attention on fashioning sentences that hook, dazzle, surprise, spur double-takes, stab, make weak-kneed, and seduce. We will find our inspiration in a whirligig of writers (novelists, poets, dramatists, and essayists) whose syntactical moves and amped-up diction are worthy of thieving: Joan Didion, David Foster Wallace, Virginia Woolf, William Gass, Nicholson Baker, Colson Whitehead, Will Eno, and Elizabeth Hardwick -- to name but a possible few. Plus we'll supplement our study and practice with a critical and theoretical examination of style, using Ward Farnsworth's CLASSICAL ENGLISH RHETORIC, as well as essays by the aforementioned Didion, Wallace, Gass, and Lutz. The writing load for this course is a minimum of 15 pages of formal revised writing. This course satisfies the Writing Across the Curriculum Writing Intensive requirement.

Schedule Details

Location Time Day(s)
ENGL 202 - W01 Existential America M - W - F - - 0815 - 0920 JRC 222
CRN: 42542 4 Credit Hours Instructor: Doug P. Phillips In this course we will examine a body of work that traffics in such existential themes as freedom and responsibility, authenticity and bad faith, anguish and abandonment, identity and subjectivity, and choice and commitment. While some of our readings will reach beyond our own shores (Sartre, Beauvoir, Camus, Kafka, Nietzsche, Dostoevsky, and Kierkegaard), we will mostly focus on works by 20th-century American writers: Palahniuk's FIGHT CLUB, Krakauer's INTO THE WILD, O'Connor's A GOOD MAN IS HARD TO FIND, Baldwin's THE FIRE NEXT TIME, Salinger's The CATCHER IN THE RYE, McCarthy's NO COUNTRY FOR OLD MEN -- to name but a possible few. In the words of Zadie Smith, we're going to read a selection of very good books in this course, concentrating on whatever is most particular to them in the hope that this might help us understand whatever is most particular to us. The writing load for this course is a minimum of 15 pages of formal revised writing. This course satisfies the Writing Across the Curriculum Writing Intensive requirement.

Schedule Details

Location Time Day(s)