Elizabeth Kindall portrait

Elizabeth Kindall

Associate Professor
Degree
B.A., Missouri State University
M.A., Ph.D., University of Kansas
Office
44 N. Cleveland Ave.
Phone
(651) 962-5563
Toll Free
(800) 328-6819, Ext. 2-5563
Fax
(651) 962-5861
Mail
44C

Specialization: Chinese Art

Elizabeth Kindall's research focus is Chinese art, specifically Chinese painting from the fourteenth to the eighteenth centuries. Her current projects investigate the functional visual experiences captured in certain paintings of real places through examinations of their distinctive topographical vocabulary and site-specific views.

Publications:

Book

Geo-Narratives of a Filial Son: The Paintings of Huang Xiangjian (1609-1673), Cambridge, Mass.: Harvard University Asia Center, 2016.

Articles

"Experiential Readings and the Grand View: Mount Jizu by Huang Xiangjian (1609-1673)," The Art Bulletin (September 2012), no. 3: 412-436 .

"Envisioning a Monastery: A Seventeenth-Century Buddhist Fund-Raising Appeal Album," T'oung Pao 97 (2011) 104-159.

"Visual Experience in Late-Ming Suzhou 'Honorific' and 'Famous Sites' Paintings," Ars Orientalis 36 (2009) 137-177.

"The Paintings of Huang Xiangjian's Filial Journey to the Southwest," Artibus Asiae 67 (2007), no. 2: 297-357.

Book Chapters

“Geo-Narrative in Seventeenth-Century China.”  In The Itineraries of Art: Topographies of Artistic Mobility in Europe and Asia.  Edited by Karin Gludovatz, Juliane Noth, and Joachim Rees.  Berliner Schriften zur Kunst.  Munich: Wilhelm Fink Publishers, 2015, 109-132.

Exhibitions

Co-curator, "The Lady at the Window: Figure Painting in the Qing Dynasty," Berkeley Art Museum, University of California, Fall 2001.

Papers, Conferences and Symposia

“Painting Religious Experience in the Yandang Mountains,” 1st Annual Art Historians of the Twin Cities Symposium, April 2, 2016 

“Painting the ‘Illusory Transformings’ of a Chinese Mountainscape,” College Art Association Annual Meeting, Washington, D.C., February 4, 2016

“Place Paintings as Pictorial Biographies,” Western Conference of the Association for Asian Studies, Arizona State University, Tempe, Arizona, October 3, 2014

"Huang Xiangjian (1609-1673):  Painting a Dual Biography," Biography in East Asia, 1400-1900," Institute of Asian Research, University of British Columbia, Vancouver, British Columbia, June 28-29, 2013

"Geo-Narrative in Seventeenth-Century China," DFG Research Group "Transcultural Negotiations in the Ambits of Art," International Conference "The Itineraries of Art."  Topographies of Artistic Mobility in Europe and Asia, 1500-1900," Freie Universität Berlin, May 23-25, 2013

"A Geo-Narrative of Southwest China as Pictorial Biography" in the panel "Place, Praxis and Representation in Ming China," Association for Asian Studies Annual Conference, San Diego, California, March 24, 2013

Discussant, "Place, Memory, and Visuality in Chinese Painting," Association for Asian Studies Annual Conference, Toronto, Canada, March 16, 2012.

"Art Historical Field Notes: The Experience of 'The Site'." College Art Association Annual Meeting, New York City, February 10, 2011

"The Filial Son of Suzhou: Huang Xiangjian," Suzhou Museum, Suzhou China, June 20, 2009.

"The Filial Campaign of Huang Xiangjian," Midwest Conference on Asian Affairs, St. Olaf College and Carleton College, October 11, 2008.

"Recreating the Pilgrimage Experience in Seventeenth-Century Chinese Painting: Circumambulating Mount Jizu," guest lecture, Missouri State University, April 20, 2007.

"Local Geography in a 1656 Painting of Mount Jizu," paper delivered at the International Symposium on Chinese Local History, Salt Lake City, Utah, November 5, 2004.

Research Grants

James P. Geiss Foundation Publication Subvention Award, 2014.

Association for Asian Studies First Book Subvention Award, 2014.

CAA Millard Meiss Fund Subvention Award, 2014.                                    

Research Grant, University of St. Thomas, 2011.

Graduate Research Team Grant, University of St. Thomas, 2011.

Junior Scholar Grant, Chiang Ching-kuo Foundation for International Scholarly Exchange, 2010 

Research Travel Grant, Universitiy of Utah Department of Art and Art History, 2005

Dissertation Research Grant, Asian Cultural Council, 2004

Dissertation Research Grant, Metropolitan Center for Far Eastern Art Studies, Tokyo, 1999-2000

Louise Wallace Hackney Fellowship for the Study of Chinese Art, American Oriental Society, 1998-1999

Courses Offered

Chinese Painting; Buddhist Art; Chinese Sculpture and Architecture.

Sample Seminars: Shanghai Modern!; Chinese Pictorial Narrative; Painting and Place in China; Art and Politics in China

Fall 2017 Courses

Fall 2017 Courses
Course - Section Title Days Time Location
ARHS 530 - 01 Museums Collecting&Chinese Art - T - - - - - 1730 - 2030 OEC 311
CRN: 41672 Instructor: Elizabeth J. Kindall

Schedule Details

Location Time Day(s)
ARTH 485 - 01 Museums Collecting&Chinese Art - T - - - - - 1730 - 2030 OEC 311
CRN: 43320 Instructor: Elizabeth J. Kindall

Schedule Details

Location Time Day(s)

J-Term 2018 Courses

J-Term 2018 Courses
Course - Section Title Days Time Location

Spring 2018 Courses

Spring 2018 Courses
Course - Section Title Days Time Location
ARTH 110 - W05 Introduction to Art History M - W - - - - 1330 - 1510 OEC 414
CRN: 20429 Instructor: Elizabeth J. Kindall Through a series of case studies, this course examines the importance of art as cultural expression across time and from a global perspective. In each course section, students will analyze the style, subject, and patronage of works of art, and will explore art's relationship to religion, ideology, society and economy, gender roles, and the interaction of cultures. Case studies will include architecture, sculpture, painting, and other arts, such as ceramics, textiles, and photography. This course fulfills the Fine Arts and Human Diversity core requirements. Consult the department website for details about the specific sections offered.

Schedule Details

Location Time Day(s)
ARTH 110 - W06 Introduction to Art History M - W - - - - 1525 - 1700 OEC 414
CRN: 20916 Instructor: Elizabeth J. Kindall Through a series of case studies, this course examines the importance of art as cultural expression across time and from a global perspective. In each course section, students will analyze the style, subject, and patronage of works of art, and will explore art's relationship to religion, ideology, society and economy, gender roles, and the interaction of cultures. Case studies will include architecture, sculpture, painting, and other arts, such as ceramics, textiles, and photography. This course fulfills the Fine Arts and Human Diversity core requirements. Consult the department website for details about the specific sections offered.

Schedule Details

Location Time Day(s)
ARTH 275 - L01 Buddhist Art M - W - F - - 1055 - 1200 OEC 203
CRN: 22422 Instructor: Elizabeth J. Kindall Following a brief introduction to the origins of Buddhist art in India, this course will examine a selection of primary monuments and objects associated with Buddhism as practiced in China and Japan. The historical context, iconography, style and religious function of individual sites and objects will be considered in roughly chronological order. Larger topics relating to the production and reception of Buddhist art, such as its functional/ritual context, patronage and iconographical development, will be examined in class discussions of select articles. The goal of this course is to provide students with a foundational knowledge of the art and issues associated with the practice of Buddhism in traditional China and Japan. This course fulfills the fine arts and human diversity requirements within the core curriculum.

Schedule Details

Location Time Day(s)